Müller (Ed.): Vol. I: 3-89323-355-1 / Vol. II: 3-89323-356-3 | •••» Autorenverzeichnis |
|
Volume I:
Jürgen E. Müller: Towards a Pragmatics of the Audiovisual. An Introduction — 1. THEORY AND CASES: Francesco Casetti: The Communicative Pact // Roger Odin: Sémio-pragmatique du cinéma et de l’audiovisuel. Modes et institutions // Ernest W. B. Hess-Lüttich: Multimedia Communication // Patrick Cattrysse: Pour une approche intersystémique du cinéma // Jan Simons: Pragmatics, Deixis and the Political Election-Campaign Film // Charles Forceville: Pictorial Metaphor in Billboards. Relevance Theory Perspectives // Manfred Hattendorf: A Pragmatic Approach Towards the Study of Documentary Films. Ironic Discourse in Schützenfest in Bahnhofsnähe. Beobachtungen auf dem Dorfe (1961) — 2. HISTORY AND CASES: Jürgen E. Müller: Vers une pragmatique historique de l’audiovisuel. Nouvelle Vague, auteur et réception. A bout de souffle aux Pays-Bas // Rick Altman: What it Means to Write the History of Cinema // Siegfried Zielinski: Towards an Archeology of the Audiovisual ... Volume II: Jürgen E. Müller: Towards a Pragmatics of the Audiovisual II, or the Continuation of an Introduction — 1. THEORY AND CASES: Edward Branigan: Towards a Pragmatics of Narrative // Warren Buckland: Relevance and Cognition: Towards a Pragmatics of Unreliable Filmic Narration // Eduard Sioe-Hao Tan: Constraint and Convention in Psychological Film Aesthetics. On the Psychological Basis of Cinematic Conventions // Harry van Vliet: In Touch with Reality but Safe from Harm. Perceived Reality of Television and Film // Hans J. Wulff: Phatic Communion // Phatic Function: Some Fundamental Concepts for a Pragmatic Theory of TV // Herta Schmid: Le problème de la stylisation scénique vue sous l’angle de la sémiotique du théâtre conçue par le structuralisme de Prague // Chiel Kattenbelt: Being There or not Being There, that Makes the Difference — 2. HISTORY AND CASES: Douglas Gomery: Outlinig a Media History // Knut Hickethier: On the History of Television as a History of Viewing in Gemany. Preliminary Thoughts // Frank Kessler: Le cinéma des premiers temps: problèmes de segmentation
|